Funeral homes
Obituaries carry roughly five times the traffic of every other page combined, and most firms are renting their own archive from a supplier.
Custom websites for small businesses
Websites for small businesses · Wherever you are
Bodkin & Press is an independent studio in Philadelphia, working with businesses anywhere. Every site begins with research into the business — its history, its trade and its customers — and the writing and the design follow from what that research finds.
The styles
These aren’t templates. Each one is a direction with a full demo site behind it, and its own type, colours and way of moving. Most real sites land somewhere between two of them.
Each of the next pages is set in the style it describes. Scroll to turn them.
Scroll-driven
Each scroll moves the story on by one scene. Stop, and it stops.
For restaurants, distilleries, venues and makers with a story that’s best told in order. Scroll back up and it plays in reverse.
Live 3D
A model of the real thing, which the visitor can turn over and take apart.
For watchmakers, jewellers, instrument and furniture makers, whose work sells once people see how it’s made. Nothing here is a photograph: the watch on this page was modelled in Blender at real size and is drawn live in your browser.
Quiet and exact
Each section is a white wall with one thing hung on it.
For clinics, dentists, jewellers, architects and law firms, where clients are paying for judgement. Everything on the page is placed and captioned the way a gallery hangs a show.
Loud colour
Readable from across the street.
For juice bars, taco shops, gyms, record and skate shops, usually opened by people under thirty-five for people their age. It’s loud, and every colour is still checked for contrast.
Old firm
The founding year sits above the name, and nothing on the page moves quickly.
For tailors, wine merchants, funeral homes and any firm with a founding date on the door. The colours are an old club library’s.
How a project runs
Six steps, in the same order on every project. None of them is skipped.
Every claim the site will make — the founding year, the credentials, the numbers — is checked and sourced before a word is written. You receive the list.
The copy is written to your trade and your customers first, so the design is built around what has to be said rather than the other way round.
The colour, the type and every drawn mark come from something real in your premises or your history. Nothing is chosen from a template.
Pages written without a page builder, then checked on real phones, with a keyboard and with a screen reader before anyone else sees them.
The domain, the hosting and every account belong to you from the first day, with written documentation and enough training to run the site without me.
Monitoring, updates and changes on a published care plan — or none at all. Your choice, in writing.
What it costs
Every project is scoped the same way: the number of pages, the complexity of the build, and how much research and writing it needs. Prices capped at $5,000.
Starter
from $900
For a business with nothing online yet: one well-made page, delivered quickly.
Essential
from $1,600
For a business that has its own copy and photography: the site built around them.
Signature — most chosen
from $2,300
Research, writing and a design drawn from the business itself.
Flagship
from $3,800
Everything in Signature, with additional pages, local search setup and six months of care.
Care plans are $50, $100 or $225 a month: hosting, backups, security updates and content changes. Many businesses already pay more than that to lease a site they do not own.
Ask for a quoteQuestions
Two to six weeks, depending on the tier and how much research the business needs. The code has never been the bottleneck. Rush work, taken ahead of everything else, is priced at fifteen per cent over the tier.
You do, at final payment. The domain and hosting are in your own accounts, in your name; the studio holds access, not ownership, and you can leave at any time with everything.
Sometimes. Often, repairing a template someone else built costs more than replacing it, and you will be told which before any work starts.
It is sourced, narrowed until it is defensible, attributed to you in your own words, or removed. Unverified claims do not stay on the page.
Who this is built for
Obituaries carry roughly five times the traffic of every other page combined, and most firms are renting their own archive from a supplier.
Hours, menu, table — in that order, on a phone, in under ten seconds. A menu locked in a PDF fails all three.
The calibration equipment in the building is the argument, and almost no shop explains it.
Where the studio is based. A palette sampled from something in your own premises is the one part of the work that cannot be done remotely.
Not on the list? The approach is the same for any trade, and the pricing is published.
Begin
Set out what you need. You will get a straight answer on whether the studio is the right fit in the first reply, usually the same working day.
Prefer to write? An email to the address above with the same details reaches the same person. Either way you keep a copy of what you sent.